These notes on Jean Grémillon's Lumiere D’Ètè ("Summer Light", 1943) were written by Jonah Horwitz, Ph.D candidate in UW Madison's Department of Communication Arts. Marking the conclusion of our Jean Grémillon series, a 35mm print …
Month: September 2015
L’ÉTRANGE MONSIEUR VICTOR: Tenderness and Cruelty
These notes on Jean Grémillon's L'Étrange Monsieur Victor (The Strange Monsieur Victor, 1938) were written by Jonah Horwitz, Ph.D candidate in UW Madison's Department of Communication Arts. A 35mm print of Monsieur Victor will screen …
The Ziegfeld of the German Musical Comedy Stage: Erik Charell and CARAVAN
This essay about Erik Charell's Caravan was written by Cinematheque Staff Member Amanda McQueen. A 35mm print of Caravan, courtesy of the Museum of Modern Art, will screen in the Cinematheque's "35mm Forever!" series at …
LA PETITE LISE and DAÏNAH LA MÉTISSE: Experiments at the Dawn of Sound
This essay on Jean Grémillon's La petite Lise (1930) and Daïnah la métisse (1932) was written by Jonah Horwitz, Ph.D candidate in UW Madison's Department of Communication Arts. Both films will screen in 35mm on …
Jean Grémillon’s REMORQUES: A Film Out of Time
These notes on director Jean Grémillon and his 1941 release Remorques were written by Jonah Horwitz, a Ph.D. candidate in the Department of Communication Arts. A 35mm print of Remorques will kick off a five …
Comic Nourishment: Amanda McQueen on ADAM’S RIB
This essay on George Cukor's Adam's Rib was written by Cinematheque staff member Amanda McQueen. A recently struck 35mm print of Adam's Rib, courtesy of the Library of Congress, will screen in our "35mm Forever!" …
Ghibli’s Little Sigh of Farewell: Timothy Brayton on WHEN MARNIE WAS THERE
This essay on what might be the final feature film release from Studio Ghibli, When Marnie Was There, was written by Timothy Brayton, first year Graduate Student in the Department of Communication Arts at UW …