These notes on Norman Z. McLeod's Horse Feathers (1932) were written by John Bennett, PhD student in UW-Madison's Department of Communication Arts. A newly restored DCP of Horse Feathers will screen at the Cinematheque's regular …
Year: 2019
PINA: A Dance Elegy in 3D
These notes on Wim Wenders' Pina were written by Matt St. John, PhD candidate in UW-Madison's Department of Communication Arts. A 3D DCP of Pina will screen at the Cinematheque's regular venue, 4070 Vilas Hall, …
DANGEROUS GAME: Madonna Looks Into the Mother of Mirrors
These notes on Abel Ferrara's Dangerous Game were written by Leah Steuer, PhD student in the Media & Cultural Studies division of Communication Arts. A 35mm print of Dangerous Game will screen at the Cinematheque's …
BLACK BOOK: The Paradoxical Pleasures of the War Thriller
The following notes on Paul Verhoeven's Black Book (2006) were written by Luke Holmaas, PhD candidate in UW-Madison’s Department of Communication Arts. A 35mm print of Black Book from the archives at the University of …
Bringing THE ROAD BACK Back
These notes on James Whale's The Road Back were written by Lydia Rice, Exhibits and Data Manager at University of Wisconsin Press. A 35mm print of The Road Back, restored by the Library of Congress …
Detours, Distractions…Life!: Andrew Bujalski’s FUNNY HA HA
These notes on Andrew Bujalski's Funny Ha Ha were written by Ben Donahue of WUD Film. A 35mm print of Funny Ha Ha will screen on Thursday, March 28 at 7 p.m. in our regular …
THE BLACK CAT: From Caligari to Hitler in One Lurid Package
These notes on Edgar G. Ulmer's The Black Cat (1934) were written by Luke Holmaas, PhD candidate in UW-Madison’s Department of Communication Arts. A 35mm print of The Black Cat will screen in our Sunday …
Screenings Resume at 4070 Vilas
Beginning Friday, February 22, UW Cinematheque screenings will resume at 4070 Vilas Hall with a new 4K restoration of I am Cuba. On Saturday, February 23, we will present a 35mm print of Jacques Becker's …
CHANGE OF VENUE – 2/15-2/16
Due to ongoing repairs at Vilas Hall, our screenings of Vampires in Havana on Friday, February 15 and our double feature of Jacques Becker's Edouard et Caroline and Antoine et Antoinette on Saturday, February 16 …
VAMPIRES IN HAVANA: Gleefully Tawdry Marxism
The following notes on Juan Padrón's 1985 animated horror-comedy Vampires in Havana, were written by Tim Brayton, PhD candidate in UW-Madison’s Department of Communication Arts. A 35mm print from the University of North Carolina School …