These notes on Stuart Gordon's Dagon were written by David Vanden Bossche, PhD candidate in UW Madison’s Department of Communication Arts. A 35mm print of Dagon will screen in our ongoing Gordon retrospective at the …
Year: 2022
Stuart Gordon’s THE PIT AND THE PENDULUM – Action, Absurdity, and Gross-out Horror
These notes on Stuart Gordon's The Pit and the Pendulum were written by Faye Mitchell, who received her MA in Film from the Department of Communication Arts at UW-Madison. A 35mm print of The Pit …
Cinematalk Podcast: LITTLE MURDERS & CARNAL KNOWLEDGE
On a special double feature/dual podcast episode of 70 Movies We Saw in the 70s/Cinematalk commemorating screenings this month at UW Cinematheque, Ben Reiser and Jim Healy take a deep dive into a “Fistful of …
Jazz Redux: THE COTTON CLUB ENCORE
These notes on Francis Coppola's The Cotton Club Encore were written by Samantha Janes, PhD student in UW Madison’s Department of Communication Arts. The Cotton Club Encore screened as one of "A Couple of Coppolas" …
The Humanistic Grace of THE RAIN PEOPLE
These notes on Francis Ford Coppola's The Rain People were written by Lance St. Laurent, PhD candidate in UW Madison’s Department of Communication Arts. A restored 4K DCP of The Rain People from American Zoetrope …
A Slapstick Drama: Peter Bogdanovich’s NICKELODEON
These notes on Peter Bogdanovich's Nickelodeon were written by film fan, film scholar, and film preservationist James Kenney, whose other reviews and essays can be found at https://tremblesighwonder.com/. James Kenney kicked off our current season …
Not Phony: Peter Bogdanovich’s THE THING CALLED LOVE
These notes on Peter Bogdanovich's The Thing Called Love were written by film fan, film scholar, and film preservationist James Kenney, whose other reviews and essays can be found at https://tremblesighwonder.com/. James Kenney kicked off …
The In-Your-Face Kitsch and Gore of FLESH FOR FRANKENSTEIN 3-D
These notes on Flesh for Frankenstein (aka Andy Warhol's Frankenstein) were written by Tim Brayton, PhD candidate in UW Madison's Department of Communication Arts. Flesh for Frankenstein will screen in a new 3-D restoration from Vinegar Syndrome and …
RAISING ARIZONA: Cage Meets Coens
These notes on Raising Arizona were written by Lance St. Laurent, graduate student in UW Madison's Department of Communication Arts. A 35mm print of Raising Arizona will screen as part of our "Age of Cage" series on Friday, …
STAVISKY: Crafting a Con Man
These notes on Alain Resnais' Stavisky were written by John Bennett, PhD candidate in UW Madison's Department of Communication Arts. The Cinematheque's series tribute to the late Jean-Paul Belmondo concludes with a screening of Stavisky …